Courses

Art 270 - Intro to Printmaking
Focus on non-toxic approaches to printmaking. Exploration of printmaking's inherent possibilities for producing art multiples, variations, and unique works.

Art History 365 - History of Prints and Drawings
Historical survey of prints and drawings, with emphasis on technical and stylistic developments and on the role played by these media in relation to other arts through the 20th Century.

Art 370 - Printmaking Survey
A studio course exploring a range of printmaking techniques and imagery, selected from the areas of etching, lithography, silkscreen, relief and monoprinting.

Art 376 - Printmaking: Relief Printing
Instruction in relief printing techniques and image development, including woodcut, linocut, collagraphs and alternative print surfaces. In black and white and color.

Art 377 - Printmaking: Silkscreen
Instruction in fine art screen printing techniques and image development, including resist, paper, film, emulsion and alternative stencil methods.

Art 378 Printmaking: Etching
Instruction in intaglio printing techniques and image development including etching, engraving, dry-point, aquatint and alternative platemaking methods. In black and white and color.

Art 379 Printmaking: Lithography
instruction in stone lithography techniques and image development, including crayon drawing, flats, washes, transfers and alternative drawing methods. In black and white and color.

Art 475 Printmaking: Photo Processes
instruction in the photo printmaking processes for lithography, etching, and silkscreen using copy camera, digital imaging and other experimental techniques to explore photographic and non-photographic imagery.

Art 480 Printmaking: Monotype
Instruction in all aspects of the monotype and monoprint form of printmaking as an expansive medium capable of diverse applications and linkages with other procedures and disciplines. Emphasis will be on the extension and refinement of individual expression. In black and white and color.

Art 499R Special Studies in Printmaking
Opportunity for extensive work with faculty supervision on individual problems in printmaking.