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Art News



CSULB Professor Mark Ruwedal wins 2014 Guggenheim Fellowship

Posted on April 15, 2014 by School of Art

CSULB Photography Professor Mark Ruwedal was awarded a 2014 John Simon Guggenheim Memorial Fellowship in the Creative Arts category, for his both beautiful and epic photographic work of the American West. Founded in 1922, the prestigious Fellowship program is intended to “add to the educational, literary, artistic, and scientific power of this country, and also to provide for the cause of better international understanding.” The Fellowship supports individuals in mid-career‚ “who have already demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.” For more information, click here.

Congratulations to Prof. Ruwedal!

 


CSULP Professor Todd Gray in exhibition at Otis College of Art and Design

Posted on April 10, 2014 by School of Art

CSULB Photography Professor Todd Gray will be in the exhibition at the Ben Maltz gallery Freeway Studies #2: Inside the Quad, featuring the work of thirty-one artists whose studios are located inside the area bordered by four major interstates: I-405, 10, 110, and 105. The impetus for this curatorial endeavor continues to be an effort to survey, one studio at a time, the neighborhoods and networks of artists working in Los Angeles. For this exhibition, Prof. Gray will exhibit (Exquisite)Terribleness in the Mangrove, a photo installation created from the reexamination of his extensive photographic archive of images he’s made in Los Angeles and Ghana. The exhibition will open April 12 and continue until July 27, 2014. For more information, please click here.

 


CSULB Ceramics Alum Matt Wedel in show at LA Louver

Posted on March 21, 2014 by School of Art

CSULB Cermaics alumni Matt Wedel has a sculpture installation in the Skyroom at L.A. Louver Gallery. Entitled Portrait, 2013, the large ceramic work of  a young girl’s head stands at over six-and-a-half feet tall, and is glazed in colors that mimic a bronze sculpture, with oxidized coppery green highlights. The exhibition will be up from March 13 until April 26, 2014. For more exhibition information, click here; and for the artist’s website here.


CSULB Art Instructor Michael Parker creates large public Artwork on L.A. River

Posted on March 14, 2014 by School of Art

CSULB Art instructor Michael Parker is working on a large-scale artwork along the banks of the L.A. River, based on the largest obelisk ever excavated  in Egypt. Entitled “The Unfinished”, the work is a 137-foot replica of the original Ancient Egyptian archeological site in Aswan, Egypt that was thought to have begun by Pharaoh Hatshepsut in the 16th year of her reign, and would have been the largest obelisk ever erected, were it not for cracks in the bedrock. Fast forward 3500 years and another unfinished obelisk is being created by Parker along with CSULB students, including Graduate Students from the Archeology department who assisted in surveying the site. The artwork will officially open Saturday, March 15 at 4pm until sunset. For more information, please click on the stories here,  here, & here.


CSULB Graphic Design Alum Jonathan Wu awarded MTV Award for Best Visual Effects

Posted on February 28, 2014 by School of Art

CSULB Graphics Design Alumni Jonathan Wu was awarded a 2013 MTV Video Award for Best Visual Effects for the song “Safe and Sound” by the band Capital Cities, along with Grady Hall and Derek Johnson.  Through Mirada Studios where Wu worked as Creative Director of the video Wu said, “This is definitely a team win and could not have been done without the involvement of every single artist on the credit list. The production was run-and-gun with a fast turnaround so we handpicked the best of the best. Each shot features VFX and our team effectively and efficiently stayed true to the era, telling an interesting and artistic story that came together quite nicely.”  Furthermore the video went on to garner a 2013 Grammy nomination for Best Music Video!

Congratulations to Mr. Wu on his success!

For more information click here; official MTV nod here, and to see the video click here.


CSULB Art Professor Fran Siegel exhibition review at Lesley Heller Workspace

Posted on January 13, 2014 by School of Art

The Brooklyn Rail - January 2nd, 2014

Fran Siegel Plans and Interruptions at Lesley Heller Workspace | October 18 – December 1, 2013

by Alexander Shulan

Using an assortment of Arte Povera type materials, Los Angeles based artist Fran Siegel constructs dense, eclectic visualizations of the history and demographic composition of different urban environments through the media of drawing and collage. Her exhibition, Plans and Interruptions, at Lesley Heller Workspace consists of a series of layered paper works that weave together topography, narrative, and images of architecture into large indiscrete assemblages reflect the unfettered development of the cities they portray.

The pieces are an interesting counterpoint to many of the prosaic demographic visualizations that now are a mainstay of cable news election coverage and online poll-aggregation. Siegel looks at urban spaces in a tried modernist mode; with a clear debt to Guy Debord’s development of psychogeography, an approach to urban mapping that incorporated subjective perspective. Much like Debord, she treats the urban plans of cities like Los Angeles and Genoa as records of human exploration and invention. “Navigation” (2010-11) sets a cutout of a classical sailing ship against images of the ocean and a vertical overview of the port of Genoa. It uses tracings of the ship’s directional markings as a kind of figurative boundary for the city’s walls. Constructed from fragile, common materials—colored pencil, blue ink, and folded and cut paper— the precarious construction of “Navigation” perhaps mirrors Genoa’s agitated ancient history—its constant changing of hands and persistent civil discord.

“Overland” (2013) presents the Los Angeles horizon on cuttings of paper and cyanotype prints, and is overlaid with an intricate hard-edged pencil design that suggests plot-points on an architectural model or a fractal visualization. A more immediately recognizable cityscape than that portrayed in “Navigation,” its intricate construction nonetheless suggests the organic and haphazard expansion of Los Angeles’ urban sprawl. Los Angeles’ skyline collapses into a fragmented mosaic of blue and white paper that resembles a cubist abstraction. (For complete review, click here.)


Graphic Design Professor Andrew Byrom Inducted As AGI Life-Time Member

Posted on December 4, 2013 by School of Art

Andrew Byrom, part of the nationally recognized graphic design faculty at CSULB, was recently inducted as a life-time member of the Alliance Graphique Internationale (AGI).

Founded in the 1960s, AGI unites the world’s leading graphic designers and artists in a professional club of common interest and achievement. Its members have been collectively responsible for the identity design of most of the world’s top corporations and institutions, as well as for countless examples of globally recognized packaging, publications, illustrations and posters.

Membership is through invitation only and each new member must be nominated by at least three current AGI members. Byrom was nominated by six.

“Being elected as a member of Alliance Graphique Internationale is a milestone in my career,” said Byrom, a member of the CSULB faculty since 2006. “Membership isn’t something you can apply for—you must be independently (and secretly) nominated by at least three existing AGI members in your home country. This year there were 70 designers nominated and from them just six were selected as new members. This is a humbling—and at the same time thrilling—statistic. You can imagine my reaction when I received a letter from the AGI main office in Switzerland.”

Byrom credits his work at CSULB with fostering his professional success. “Since arriving at CSULB from Chicago seven years ago, it’s fair to say my career has taken off. I believe this to be a direct result of the support and encouragement that CSULB, the College of the Arts and the staff, students and faculty of our School of Art provides us,” he said. “The ethos of continued professional development and the importance of excelling off campus as well as on is something I continue to appreciate.”

A British-born graphic designer, Byrom’s work explores the conventions of typographic design in three dimensions, using unfamiliar applications, materials and processes to define new forms. Although his work acknowledges typographic conventions and principles, it also addresses more architectural considerations including physical strength and structural integrity.

His clients have included AIGA Los Angeles, Du Magazine, theNew York Times Magazine, Penguin Books, Sagmeister Inc., and UCLA Extension. His work has been exhibited in design venues across the United States, Europe and Asia and has been honored by the Type Directors Club and the AIGA.

–Bethany Price

http://www.csulb.edu/misc/inside/?p=44078


LA Times Review of Jay Kvapil exhibition at Couturier Gallery

Posted on December 4, 2013 by School of Art

Review: Kvapil’s ceramic vessels vehicles for color and texture

By Leah Ollman

November 21, 2013, 4:30 p.m.

Jay Kvapil’s new, variably intriguing ceramic work at Couturier is largely about surface — viscous, painterly glazes and cratered shells. With only a few exceptions, the vessel forms are understated and conventional. They call little attention to themselves and instead serve as vehicles for potent color and assertive texture.

Kvapil titled an earlier series “Pictorial Vessels,” making explicit the priority given to surface as bearer of image or mark. Several works here continue in that vein, their glazes like thick, draping garments extending below the cylindrical body of a cup or vase. One small vase, sheathed in sapphire streaks and flecked with tiny spots of light presents as a hand-held moody nightscape.

Director of the School of Art at Cal State Long Beach (a notable incubator of talent in ceramics), Kvapil experiments avidly with glazes and the results can be striking. The surface of a shapely, 15-inch-high bottle with a pinched waist is delicately puckered like the skin that forms on heated milk. Small, weeping puddles of blood red startle against jade-tinged ivory.

Most of the 60-plus bowls and bottles, jars and pods have densely-pocked skins evocative of elemental forces and geological processes, volcanic events and lunar crusts. They emanate heat and change. Kvapil’s palette is intense and can verge on garish and dated, but plenty of dazzlers can be found in the mix. Among the most striking is a large (28-inch diameter) broad bowl that looks like barely cooled magma. Pitted black and fiery red, it seems to be smoldering still.

Couturier Gallery, 166 N. La Brea Ave., (323) 933-5557, through Nov. 30.
Closed Sunday and Monday. www.couturiergallery.com

http://www.latimes.com:80/entertainment/arts/culture/la-et-cm-jay-kvapil-review-20131118,0,7373350.story#axzz2lgHwb0mU


CSULB Graphic Design Professor Andrew Byrom works with Dance Theater production

Posted on November 6, 2013 by School of Art

CSULB Graphic Design Professor Andrew Byrom work took a change of scenery by collaborating with  with the Heidi Duckler Dance Theater in their production of “The Groundskeepers.” The two-hour work takes place at the site-specific location of the shuttered Linda Vista Hospital, located in Boyle Heights,  ”creating a traveling multimedia performance that will animate the environs of the hospital building including the outdoor fire escape staircase, entry-way, chapel, boiler room, and outdoor parking lot wall.” Professor Byrom has created a gothic typography, as well as other graphics that are projected throughout the performance onto the performers and their environs. He even painted the hospital itself! The performance will be held from November 7 through the 10th, 2013. For more information, click here (and for a review here.)


CSULB Illustration Professor Robin Richesson’s murals in NBC’s “Parks and Recreation”

Posted on October 30, 2013 by School of Art

CSULB Professor of Illustration and Animation, Robin Richesson will have her “work” shown for another season on the NBC comedy “Parks and Recreation.” Beginning its sixth season this fall, Prof. Richesson provided the drawings that became the “Murals of Pioneer Hall”, the mythical center for the Parks and Recreation Department of Pawnee, Indiana where the comedy resides. “Every town has its own unique history, and Pawnee’s is full of both pride and shame. Mostly shame…The large murals that line the walls of Pioneer Hall depict some of the most famous and interesting moments in our town’s past, and are well worth checking out as works or art — even if they are also by any standard horrifying at a level it is difficult to comprehend.” To see the murals in all their glory, please click here.